Wednesday, September 10, 2014

The Magicians by Lev Grossman


The Magicians
Publisher: Viking (2009) The Penguin Group through Plume (2010)
Author: Lev Grossman
Genre: Fantasy, Urban
Pages: 402
Price: $16.00

Quentin Coldwater is brillant but miserable. He's a senior in high school, and a certifiable genius, but he's still secretly obsessed with a series of fantasy novels he read as a kid, about the adventures of five children in a magical land called Fillory. Compared to that, anything in his real life just seems gray and colorless.

Everything changes when Quentin finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the practice of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. But something is still missing. Magic doesn't bring Quentin the happiness and adventure he though it would.

Then, after graduation, he and his friends make a stunning discovery: Fillory is real.

I never read the Harry Potter books, but this book was pitched to me, as it has been to many others as Harry Potter for adults. I knew the basics; a magical academy, a coming of age story, supreme evil and a journey that ends ultimately in victory. What begins as an interesting premise quickly becomes a joyless, by the numbers fantasy story, with one of the most unlikable protagonists I've ever had the displeasure of reading.

Enter Quentin Coldwater, a teen going through the motions of his life. He's attempting to do what all of us have to do, set our adult lives into motion and get on the track that will determine what kind of adult life we'll have, long before many have any idea what kind of adult life they want to have. Determining what you are going to do and be for the rest of your life while still a teenager is a daunting task, one that intimidates many into indecision and self-destructive behavior. I was actually pleased with the first part of the book. Here's a character with plenty of room for improvement, lots of growing to do. Say what you will about the how hard it can be to go through puberty, the real time for growth in a person is that transition between teenager and adult. That's a true coming of age, and I was excited to see it happen in a fantasy setting.

The time spent at Brakebills (the magical college Quentin attends) was handled fairly well. Five years are accelerated and probably account for half of the book. Along the way the reader is treated to many things that are familiar to anyone that's gone through this period in their life. There are a couple of harrowing encounters along the way, but aside from the magic it is a story you yourself might have lived through. Upon graduation I was sure that the story would take a turn and we'd finally see some sort of development in Quentin.

Alas, it was not to be. Alcohol, drugs, and sex rule the day, with Quentin sabotaging the only relationship he seems to actually care about. When Mr. Grossman finally worked his way around to Fillory I already had a sneaking suspicion that not much was going to change going forward. The climax of the story is woefully unfulfilling, and instead of leaving with a sense of hard won victory or at least lessons learned our 'hero' decides that happiness is impossible.

Before I'm told that I just didn't get it, I assure you I did. Quentin is unhappy, and that unhappiness taints everything he touches and experiences. If you don't know happiness nothing can magically bestow it upon you, not even magic. While true, and maybe even a necessary thing to write about now and then, that is a rut that you can't write a compelling story around. A book is about a character's journey, not the places he goes or the things he does, but what changes those travels and trials work upon the character. When the character ends up in the place that all of the early promise was supposed to rescue him from, the story falls flat.

Conclusion: I have trouble not finishing trilogies/story arcs/sagas and will most likely read the follow ups to The Magician at a later date. The conclusion of the book did show a glimmer of promise, but I won't be running into the bookstore five minutes before they close because I just have to find out what happens next. Maybe Quentin's growth will just take longer to tell the readers about than I anticipated, but as it stands The Magician is a promising premise sullied by a selfish, self-defeating protagonist that fails to engender sympathy or transform himself one iota along the way.

Rating: 5/10

Tuesday, September 9, 2014

The Raid: Redemption


The Raid: Redemption (2011)
Producers: Rangga Maya Barack-Evans, Nate Bolotin, et al.
Director: Gareth Evans
Rated: R for strong brutal bloody violence throughout, and language
Runtime: 101 min
Genre: Action, Crime, Thriller

Don't watch this movie for the story, it's been done before and better. Don't watch it for the acting, as you have mainly martial artists and stunt guys doing that. Watch it for the superb action sequences and the stylistic directing of Gareth Evans and you won't be disappointed. With tempered expectations this is a very fun movie to lose yourself in for a couple of hours.

There are none of those moments that seem to drag present in The Raid: Redemption; Gareth Evans puts the pedal to the metal and the audience is propelled forward into a building filled with violence and death. The fight sequences are some of the best I've seen, there's little of the flashy movement and wasted effort we've grown accustomed to seeing in martial arts films. Sure there's a moment here and there when the choreography goes a little over the top, but for the most part it feels visceral and real. The audience is allowed to catch their breath in short tense little moments before the next onslaught is thrown at the hero.

The simplicity and 'been there, done that' feeling of the plot is easily forgiven when it's accompanied by Evans' direction in tandem with the fight choreography, just don't go into the film expecting a masterpiece of a screenplay. The plot is really just a framework, supporting the necessity of the violence.

Conclusion: With realistic expectations one can watch The Raid: Redemption and really enjoy it for what it is; a fun directorial style bringing some amazing fight choreography to the screen. The actual plot matters little when that's what you choose to experience going into it. With the proper mindset you can sit back and just enjoy the ride.

Rating: 7.25/10

Monday, September 8, 2014

The Leftovers: Season 1, Episode 10


The Leftovers
Episode Title: “The Prodigal Son Returns”
Channel: HBO
Director: Mimi Leder
Writers: Damon Lindelof and Kath Lingenfelter
Genre: Drama, Fantasy, Mystery
Runtime: 60 min
Rated: TV-MA
Original Air Date: September 7, 2014

Season finale time! “The Prodigal Son Returns” picks up right where “Cairo” left off. Chief Garvey is in a tight situation and calls Matt for help. Apparently Matt has little of the qualms one would normally associate with a pastor, as he dives right in to help bail Kevin out. The episode treated us to a string version of “Nothing Else Matters” by Metallica during the reveal of the Great Remnant's master plan, which was pretty fun to hear.

There are still the questions as to whether or not Kevin is crazy, and seeing Perfect Strangers on in the background has me leaning heavily towards the Froot Loops. The chief is barely handling his own problems when we're shown first hand the chaos created by the Remnant. Their stated purpose was to make everyone remember, I thought at first that they were trying to make sure that the departed weren't forgotten. Evidently though, they were actually trying to prove that those left behind are not good people, although the method they went about doing this would have probably driven the most balanced person to some extreme actions.

Wayne pops up to muddy the waters further, and the dynamic of the Garvey family looks to be changing. It felt like the writers had to fit a lot into this final episode and might have benefited from having one more episode to work everything out. Instead of knowing what direction a number of the characters will be going headed into season two the audience is left with very few answers to their questions.

Conclusion: “The Prodigal Son Returns” manages to be an adequate season finale without really telling us what to expect going forward. The repercussions of the Great Remnant's plan will be intriguing next season. Did it accomplish what they wanted? If so, what else do they have in store for those left behind going forward? It was a successful finale if it got me asking questions like that.

Rating: 7.25/10

Sunday, September 7, 2014

The Strain: Season 1, Episode 9


The Strain
Episode Title: "The Disappeared"
Channel: FX
Director: Charlotte Sieling
Writer: Regina Corrado
Genre: Drama, Sci-Fi, Horror
Runtime: 60 min
Rated: TV-MA
Original Air Date: September 7, 2014

Still no answers as to who the surprise combatants were at the end of episode 7. There's mystery, and then there's not answering questions that need to be answered. Here's to hoping that the audience gets some answers before they forget that they're supposed to care. Eldritch Palmer was also absent in this episode, making it at least three episodes since we saw any movement on his part of the story.

The episode itself felt like a placeholder episode. Aside from Ephraim reuniting with his son not much happens. At one point Eph's true feelings slip out regarding one of his relationships and I'm hoping that this is the nudge that Nora needed to become more interesting. From her reaction it seems likely that simply agreeing with every course of action will not be in her immediate future. Zach, Eph's son, is asthmatic; continuing the show's trend of giving the heroes horrible home lives or medical liabilities that will be sure to raise its head at the most convenient time to create 'drama.'

The flashback scenes to Setrakian's time in a concentration camp in Poland and the aftermath of the prisoners' liberation were perhaps the most significant moments of the episode. They did leave me wondering how Setrakian has any use of this hands at his age, following the injuries he sustained. The liberation is also a turning point for Eichorst, the audience is finally shown the genesis of the creature we know in present day. Even the Master makes an appearance, although he wasn't as terrifying as I had hoped, and what's with those middle fingers?

Conclusion: I know it seems like a lot of negative opinion up there, but that's just the stuff that really stuck out. The episode itself wasn't the worst one the audience has been shown, it's more the lack of answers and forward progress that inhibited this episode. After last week maybe we should've expected a slow down, and maybe it's just the calm before the storm.

Rating: 6.25/10

Saturday, September 6, 2014

Doctor Who: Season 8, Episode 3


Doctor Who
Episode: “Robot of Sherwood”
Channel: BBC
Director: Paul Murphy
Writer: Mark Gatiss
Genre: Adventure, Drama, Fantasy, Sci-Fi
Runtime: 45 min
Rated: TV-PG
Original Air Date: September 6, 2014

With most shows, you know what you're going to get. There is a certain thread of consistency that you can count on. Excellent shows maintain a standard of excellence, and mediocre shows wallow in their own mediocrity, seldom does a show known primarily for one of those qualities stray into the other. Doctor Who has the dubious distinction of being such a show. When the Doctor, his companion, and the adventure line up it can be a great viewing experience. There are times, however, when absurdities stack up, humor falls flat and characters seem hollow.

“Robot of Sherwood” is such an episode. Sometimes the Doctor can meet a historical figure and the story can be fun, charming, and carry a message with it; as in “Vincent and the Doctor.” That particular episode, while a touch sappy carried with it an emotional investment from the audience. “Robot” does not succeed in replicating that accomplishment, and thus left me feeling as if my hour could have been better spent.

Tiny hints at the season long plot are not enough to make an episode good. I know we were supposed to see 'The Promised Land' and believe we were being let in on part of this season's secrets, but we weren't. The robots that we've seen trying to get to this promised land are incapable of operating their spaceships for long enough to accomplish their mission, how should the audience believe that they're going to be a threat to the Doctor of the magnitude of the Silence, Weeping Angels or the Master? As presented, we can't.

Conclusion: Please give Capaldi a script that he can work with! I still have no doubt that he can be a great Doctor, but his episodes so far have been lackluster, if I'm being nice. Hopefully Steven Moffat can step in and give us some substantial episodes soon, something to move the season's narrative forward.

Rating: 5.5/10

Saturday is Haul Day 8!!


Whoa!  Check out all that stuff.  After making my rounds I got home with a huge bag of loot.  On the movie side of things we've got We Need to Talk About Kevin, a psychological thrill focusing on evil and the question of nature vs. nurture.  It's directed by Lynne Ramsay and stars Tilda Swinton, John C. Reilly and Ezra Miller.  There's also The Raid:  Redemption, a balls-to-the-wall action movie directed by Gareth Evans; this is the original Indonesian movie, an English language remake has been announced.

Next we have Naomi Novik's His Majesty's Dragons, book one of Temeraire.  I had the pleasure of attending Sword and Laser Live last weekend at Dragon*Con and Mrs. Novik was the guest author, after hearing the passion with which she spoke about her series, and writing in general, I decided I had to check it out.  Dennis Lehane's Live by Night is the next of his books to be announced as getting a big screen adaptation.  This will be the first of his books that I've read, but Mystic River was one of my favorite crime movies to come out in the 2000s, Shutter Island was intriguing, if not quite up to what I normally expect from a DiCaprio/Scorsese collaboration, and the trailers for The Drop look fantastic so I'm excited to dig into this Prohibition era crime drama.

On the comics front we've got The Bunker trade paperback, collecting issues #1-4, since I had no luck finding the first three issues of the series.  In addition there is Hexed by Michael Alan Nelson and Dan Mora, Future's End Green Arrow #1 a one-shot part of the series, Rocket Raccoon #3 by Skottie Young and Jean-Francois Beaulieu, She-Hulk #8 by Charles Soule, Javier Pulido, and Munsta Vincente, Death of Wolverine 1 of 4 by Charles Soule, Steve McNiven, Jay Leisten and Justin Ponsor and The Woods #5 by James Tynion IV and Michael Dialynas.

The Sandman Volume One: Preludes and Nocturnes


The Sandman Volume One: Preludes & Nocturnes
Issues #1-8
Publisher: Vertigo Comics through DC Comics
Story: Neil Gaiman
Art: Sam Keith, Mike Dringenberg and Malcolm Jones III
Rated: M/Mature
Genre: Fantasy, Horror
Price: $19.99

The Sandman follows the adventures of Dream, one of the Endless. The Endless are the personification of different eternal truths, beings who embody that which is at the core of sentient beings. The story begins with Dream being captured and his power being stolen from him.

What follows is a surreal quest through our reality, the dreamworld and Hell, as Dream sets out to recover those things that he has lost. While the idea of a quest is anything but new, the unique set of characters and the occasionally grotesque landscapes keep the story from falling into a set of familiar cliches. The beginning of the book is a little lacking in the emotion department, it's a cool idea trying to find it's feet and connect to the reader. As the narrative moves forward and Dream nears the end of his journey some of the cold detachment falls away and he begins to feel, to the reader, as if he has gained a soul.

Neil Gaiman's writing style is very deep and thoughtful, helping to bring a sense of humanity to a character with power and scope for beyond what the reader would normally be capable of relating to. All three artists in this run conjure up some truly creepy scenery; with violence and mayhem around every corner. One trend that I hope will not continue is the introducing of regular DC superheroes/villains throughout the stories. Dream's world seems too different from the world of heroes, with consequences that reach worldwide it would seem best to keep the heroics separate, there are just too many inconsistencies possible if they exist in the same reality as dream.

Conclusion: Preludes & Nocturnes is the beginning to a fine story. It lays the groundwork, and suffers through a growing pain or two, for what could prove to be a series that rivals some of my favorites. I expect as Gaiman gets a better feel for who Dream is the few quibbles I had will work themselves out.

Rating: 7.5/10